Oil On Canvas, Real Flavor of Old Masters

All RICCI, Sebastiano 's Paintings
The Painting Names Are Sorted From A to Z

ID Image  Painting (From A to Z)       Details 
20641  
Allegory of France as Minerva or Wisdom Who Treads Ignorance Underfoot and Crowns Martial Virtue (mk05), RICCI, Sebastiano
  		 Allegory of France as Minerva or Wisdom Who Treads Ignorance Underfoot and Crowns Martial Virtue (mk05)   1718 Canvas 44 1/2 x 33 1/2''(113 x 85 cm)Reception Picture at the Academie Royale de Peinture et de Sculpture Transferred to the Louvre in the Revolution INV
40528  
Allegory of Tuscany, RICCI, Sebastiano
  		 Allegory of Tuscany   mk156 1706 Oil on canvas 90x70.5cm
51991  
Altar of St Gregory the Great, RICCI, Sebastiano
  		 Altar of St Gregory the Great   Oil on canvas
8924  
Bacchus and Ariadne, RICCI, Sebastiano
  		 Bacchus and Ariadne   c. 1713 Oil on canvas, 189 x 104 cm Chiswick House, London
43268  
Bacchus and Ariadne, RICCI, Sebastiano
  		 Bacchus and Ariadne   mk170 1700-1710 Oil on canvas 75.9x63.2cm
8920  
Bathsheba at the Bath, RICCI, Sebastiano
  		 Bathsheba at the Bath   1720s Oil on canvas, 118,5 x 199 cm Museum of Fine Arts, Budapest
8921  
Bathsheba in her Bath, RICCI, Sebastiano
  		 Bathsheba in her Bath   c. 1725 Oil on canvas, 111,8 x 144,3 cm Staatliche Museen, Berlin
32577  
Betsabea al Bagno, RICCI, Sebastiano
  		 Betsabea al Bagno   mk79 1720
71450  
Die angeklagte Susanna und der Prophet Daniel, RICCI, Sebastiano
  		 Die angeklagte Susanna und der Prophet Daniel   Date 1725-1726 Medium Oil on canvas Dimensions 243 x 440 cm (95.67 x 173.23 in)
8911  
Dream of Aesculapius, RICCI, Sebastiano
  		 Dream of Aesculapius   c. 1710 Oil on canvas, 62 x 101 cm Gallerie dell'Accademia, Venice
8914  
Fall of Phaeton, RICCI, Sebastiano
  		 Fall of Phaeton   1703-04 Oil on canvas Museo Civico, Belluno
76739  
Grabmal des Herzogs von Devonshire, RICCI, Sebastiano
  		 Grabmal des Herzogs von Devonshire   Date 1725 Medium Oil on canvas Dimensions Deutsch: 217 ?? 138 cm cyf
29983  
Hercules at the Crossroads, RICCI, Sebastiano
  		 Hercules at the Crossroads   mk67 Oil on canvas 25 9/16x15 3/16in Uffizi,
28901  
Jove and Semele, RICCI, Sebastiano
  		 Jove and Semele   mk65 Oil on canvas 75 3/16x59 7/16in Uffizi
8919  
Moses Defending the Daughters of Jethro, RICCI, Sebastiano
  		 Moses Defending the Daughters of Jethro   1720s Oil on canvas, 114 x 178 cm Museum of Fine Arts, Budapest
8913  
Paul III Appointing His Son Pier Luigi to Duke of Piacenza and Parma dt, RICCI, Sebastiano
  		 Paul III Appointing His Son Pier Luigi to Duke of Piacenza and Parma dt   c. 1687 Oil on canvas Museo Civico, Palazzo Farnese, Piacenza
51995  
Prayer in the Garden, RICCI, Sebastiano
  		 Prayer in the Garden   c. 1730 Oil on canvas, 95 x 76 cm
32540  
Recreation by our Gallery, RICCI, Sebastiano
  		 Recreation by our Gallery   mk79 1706-1707
81703  
Rusticus von Verona sowie ein Engel, RICCI, Sebastiano
  		 Rusticus von Verona sowie ein Engel   1704 Medium Oil on canvas Dimensions Deutsch: 380 x 250 cm cyf
8923  
St Pius, St Thomas of Aquino and St Peter Martyr, RICCI, Sebastiano
  		 St Pius, St Thomas of Aquino and St Peter Martyr   1730-33 Oil on canvas, 343 x 169 cm S. Maria del Rosario (Gesuati), Venice
8916  
Susanna and the Elders, RICCI, Sebastiano
  		 Susanna and the Elders   1713 Oil on canvas, 83,2 x 102,2 cm Collection of Lord Chatsworth, Chatsworth
8922  
The Adoration of the Magi, RICCI, Sebastiano
  		 The Adoration of the Magi   1726-30 Oil on canvas, 330,2 x 289,6 cm Royal Collection,
63048  
The Adoration of the Magi, RICCI, Sebastiano
  		 The Adoration of the Magi   1726-30 Oil on canvas, 330,2 x 289,6 cm Royal Collection, Windsor The artist's bold and colourful treatment of the theme (Saint Matthew 2:9-11) is a link in Venetian painting between Paolo Veronese and Giovanni Battista Tiepolo. The composition is derived in its essentials from the altarpiece painted by Veronese in 1573 for the church of San Silvestro, Venice (now in the National Gallery, London) and anticipates the altarpiece painted by Tiepolo in 1753 for the monastery of Schwarzach in Franconia (now in the Alte Pinakothek, Munich). All three works are large, but the composition by Tiepolo differs from the others, which are almost square in format, by being compressed into a vertical. The Adoration of the Magi was acquired by George III in 1762 from Consul Joseph Smith and formed part of a series of seven pictures of New Testament subjects. The related paintings are Christ and the Woman who Believed, Christ and the Woman of Samaria, The Magdalen anointing Christ's Feet (all still in the Royal Collection), The Pool of Bethesda and The Woman taken in Adultery (Ministry of Works, presently at Osterley House) and The Sermon on the Mount, which is lost. All these paintings, with the exception of the present work, illustrate scenes from Christ's ministry. The origin of the commission for this series of paintings is unknown. The size of the undertaking (the dimensions in each case are extremely large and there are fundamental changes in format) has caused the series to be associated with an unrecorded commission for the Royal House of Savoy in Turin, for whom Ricci worked during the 1720s. The painting demonstrates Sebastiano Ricc's role in the evolution of Rococo art in Venice, which reached its climax in the work of Tiepolo. The setting of The Adoration of the Magi is dramatic, the brushwork full of verve and panache and the colours bright. Several changes in the composition can be seen with the naked eye, especially in the centre. The artist travelled extensively in Italy and also worked in England from 1711/12 to 1716, returning home via France. He formed a partnership with his nephew, Marco (1676-1730), who, according to Gherardi, painted the architectural background to The Adoration of the Magi and the related pictures. Artist: RICCI, Sebastiano Painting Title: The Adoration of the Magi , 1701-1750 Painting Style: Italian , , religious
51993  
The Liberation of St Peter, RICCI, Sebastiano
  		 The Liberation of St Peter   1722 Oil on canvas
8915  
The Punishment of Cupid, RICCI, Sebastiano
  		 The Punishment of Cupid   1706-07 Oil on canvas Palazzo Marucelli-Fenzi, Florence
8917  
Venus and Adonis, RICCI, Sebastiano
  		 Venus and Adonis   1705-06 Oil on canvas, 70 x 40 cm Mus??e des Beaux-Arts, Orl??ans
8918  
Venus and Satyr sg, RICCI, Sebastiano
  		 Venus and Satyr sg   1720s Oil on canvas, 102 x 125,5 cm Museum of Fine Arts, Budapest
45593  
Victim at Vesta, RICCI, Sebastiano
  		 Victim at Vesta   mk186 1723 Dresden, Gemaldegalerie old masters
RICCI, Sebastiano
Italian painter, Venetian school (b. 1659, Belluno, d. 1734, Venezia).Painter and draughtsman. He painted light and colourful religious, historical and mythological subjects with a fluid, painterly touch. His rediscovery of Paolo Veronese, whose settings and costumes he borrowed, was important to later Venetian painters. Sebastiano was an itinerant artist, celebrated throughout Europe.



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